{"id":3600,"date":"2014-01-13T19:19:00","date_gmt":"2014-01-13T19:19:00","guid":{"rendered":"https:\/\/flicinski.net\/?page_id=3600"},"modified":"2025-09-09T19:23:43","modified_gmt":"2025-09-09T19:23:43","slug":"kontakt","status":"publish","type":"page","link":"https:\/\/flicinski.net\/index.php\/pl\/kontakt\/","title":{"rendered":"Kontakt"},"content":{"rendered":"\n<p class=\"has-medium-font-size\"><strong>Kontakt<\/strong><\/p>\n\n\n\n<p><strong>Jaros\u0142aw Flici\u0144ski<\/strong><br><a href=\"mailto:jaroslaw@flicinski.net\">jaroslaw@flicinski.net<\/a><\/p>\n\n\n\n<p><\/p>\n\n\n\n<p><\/p>\n\n\n\n<p>_________________________________________________________________________________________<\/p>\n\n\n\n<p class=\"has-medium-font-size\"><strong>Biografia<\/strong><\/p>\n\n\n\n<p><\/p>\n\n\n\n<p><strong>wybrane wystawy indywidualne:<\/strong><\/p>\n\n\n\n<p><strong>2024<\/strong> <em>Rzeczy dziej\u0105 si\u0119 po prostu<\/em>, Galeria Monopol, Warszawa<\/p>\n\n\n\n<p><strong>2022<\/strong>\u00a0 <em>Nic nie stoi w miejscu<\/em>, Galeria Monopol, Warszawa<br><strong>2019<\/strong>\u00a0 <em>Czysta przyjemno\u015b\u0107<\/em>, Galeria Wsch\u00f3d, Warszawa<br><strong>2017<\/strong>\u00a0 <em>P\u00f3\u0142noc nie jest po\u0142udniem<\/em>, feat. William Fussell, Akademia Sztuk Pi\u0119knych, Gda\u0144sk<br><strong>2016<\/strong>\u00a0 <em>Casa Cosmos, Homemade Paintings<\/em>, Galeria Bielska BWA, Bielsko-Bia\u0142a<br><strong>2015<\/strong>\u00a0 <em>Casa Cosmos, Homemade Paintings, 2010-2015<\/em>, Galeria Miejska BWA, Tarn\u00f3w<br><em>Homemade Paintings, 2010-2015<\/em>,\u00a0Galeria Fernando Santos, Porto<br><strong>2014<\/strong>\u00a0 <em>Estrela Negra\/Czarna Gwiazda<\/em>,\u00a0Centro Internacional das Artes Jose de Guimaraes (CIAJG), Guimaraes<br><strong>2011<\/strong>\u00a0 <em>Nikt tego nie wie na pewno<\/em>, BWA Warszawa, Warszawa\u00a0<br><strong>2009<\/strong>\u00a0<em>Wystarczaj\u0105co blisko<\/em>, Gallery LeGuern, Warszawa\u00a0<br><strong>2008<\/strong>\u00a0 <em>Nie wa\u017cne gdzie to si\u0119 dzieje<\/em>, Galerie Zak Branicka, Berlin<br><strong>2007<\/strong>\u00a0 <em>Doppio Anelito<\/em>, PIAC Galleria, Ragusa<br><em>Playground<\/em>, CCNOA, Brussels\u00a0<br><strong>2006<\/strong>\u00a0<em>Wi\u0119cej i wi\u0119cej<\/em>, Galerie de Expeditie, Amsterdam<br><em>Chapelle<\/em>, Ecole d\u2019Arts Plastiques, Chatellerault<br><strong>2004<\/strong>\u00a0 <em>Reszta zale\u017cy od Ciebie<\/em>, Villa Arson, Centre d&#8217;Art Contemporain, Nice<br><em>Koniec Lata<\/em>, Galeria LeGuern, Warszawa<br><strong>2003<\/strong>\u00a0 <em>Wszystko w porz\u0105dku<\/em>, CSW Zamek Ujazdowski, Warszawa<br><em>Malarstwo ( z Charles&#8217;em Boetschi)<\/em>, Galerie Brigitte Weiss, Zurich<br><strong>2002<\/strong>\u00a0 <em>Place Your Bets<\/em>, Chinati Foundation, Marfa<br><em>Paintings,<\/em> Studio LoDo, Phoenix<br><em>To Let You Shine<\/em>, Galerie de Expeditie, Amsterdam<br><strong>2001<\/strong>\u00a0 <em>\u015awietnie wygl\u0105dasz! \u015awietnie si\u0119 czuj\u0119!<\/em>  Sfinks Klub, Sopot<br><strong>2000<\/strong>\u00a0 <em>Daleko St\u0105d<\/em>, Badischer Kunstverein, Karlsruhe<br><em>Daleko St\u0105d<\/em>, Galeria Foksal, Warszawa<br><strong>1999<\/strong>\u00a0 <em>I\u015b\u0107 Dalej<\/em>, Galeria Wschodnia, \u0141\u00f3d\u017a<br>I love my time ( z Kajs\u0105 Eriksson), Galeria Ko\u0142o, Gda\u0144sk<br><strong>1994<\/strong>\u00a0 <em>Skoki do wody &#8211; Rok 1994 &#8211; Ci, kt\u00f3rzy si\u0119 wywy\u017cszaj\u0105, zostan\u0105 poni\u017ceni, a ci, kt\u00f3rzy si\u0119 poni\u017caj\u0105 upadn\u0105 do ko\u0144ca<\/em>\u00a0Nadba\u0142tyckie Centrum Kultury, Gda\u0144sk<br><em>Nie Jeste\u015b St\u0105d<\/em>, Galeria Ko\u0142o<br><strong>1993<\/strong>  <em>Skoki do wody &#8211; Rok 1993 &#8211; Stany Mentalne<\/em>, Klub Sfinks, Sopot<br><strong>1989<\/strong> <em>Obraz, obraz<\/em> ( z Kacprem O\u0142owskim), Galeria Po, Zielona G\u00f3ra<br><strong>1988<\/strong> <em>Z\u0142ote Cz\u00f3\u0142ko<\/em> (z Kacprem O\u0142owskim), Galeria Wschodni, \u0141\u00f3d\u017a<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p><strong>wybrane wystawy grupowe:<\/strong><\/p>\n\n\n\n<p><\/p>\n\n\n\n<p><br><strong>2022<\/strong>  <em>Ruchy Tektoniczne, O artystycznych symptomach transformacji<\/em>, Muzeum Sztuki \u0141\u00f3d\u017a<br><strong>2019<\/strong>&nbsp; <em>Pocz\u0105tek i koniec<\/em>, Gda\u0144ska Galeria Miejska, Gda\u0144sk<br><strong>2017<\/strong>&nbsp; <em>Przygody z op-artem<\/em>, Fundacja Stefana Gierowskiego, Warszawa<br><strong>2017<\/strong>&nbsp; <em>Co z t\u0105 abstrakcj\u0105<\/em>, Fundacja Stefana Gierowskiego, Warszawa<br>          <em>140 uderze\u0144 na minut\u0119, Kultura Rave i sztuka w latach 90tych w Polsce<\/em>, MSN, Warszawa<br><strong>2015<\/strong>&nbsp; <em>Ziemia<\/em>, Muzeum Wsp\u00f3\u0142czesne, Wroc\u0142aw<br>           <em>Czysta Formalno\u015b\u0107<\/em>, Galeria Labirynt, Lublin<br>          <em>Nikt nie we\u017amie nam m\u0142odo\u015bci! Jak sztuka i muzyka lat 80 stworzy\u0142y alternatywne tr\u00f3jmiasto<\/em>&nbsp;Opener Festiwal, Gdynia, Gdynia, MSN Warszawa<br>         <em>Porz\u0105dek z chaosu<\/em>, Galeria LeGuern, Warszawa<br>           <em>Wyspa 3.0. Mapa i Terytoria<\/em>, Wyspa, Institute of Art, Gda\u0144sk&nbsp;&nbsp;<br><strong>2013<\/strong>&nbsp; <em>Otwarta Kompozycja, Sala Neoplastyczna<\/em>, Muzeum Sztuki, \u0141\u00f3d\u017a <br><strong>2013<\/strong>&nbsp; <em>Lonelyfingers,&nbsp;Conversation Pieces,&nbsp;&nbsp;<\/em>Museum Abteiberg, Monchengladbach<br><strong>2012<\/strong>&nbsp; <em>Splendor tkaniny<\/em>, Zach\u0119ta Narodowa Galeria Sztuki,&nbsp;Warszawa<br><strong>2011<\/strong>&nbsp;<em> Nowy Porz\u0105dek<\/em>, Art Stations Fundacja Gra\u017cyny Kulczyk, Pozna\u0144<br><strong>2011<\/strong>&nbsp; <em>Pl\u0105drowanie ruin rzeczywisto\u015bci<\/em>, BWA Warszawa, Warszawa<br><strong>2011<\/strong>&nbsp; <em>Eu Podia Fazer Isto<\/em>, IPA, Espa\u00e7o Atmosferas, Lisboa<br><strong>2009<\/strong>&nbsp; <em>Good Night, Sleep Tight<\/em>, Upload Art Project, Trento<br><strong>2009<\/strong>&nbsp; <em>Anabasis \u2013 <\/em>Rytua\u0142y powrot\u00f3w do domu, Willa Ludwika Grohmana,&nbsp;\u0141\u00f3d\u017a&nbsp;&nbsp;<br><strong>2009<\/strong>&nbsp; <em>Zagubieni w kolorze -dialog 1,&nbsp;<\/em>&nbsp;Gda\u0144ska Galeria Miejska, Gda\u0144sk<br><strong>2008&nbsp;<\/strong><em>&nbsp; Aktywne Studio<\/em>, Galeria Studio, Warszawa<br><strong>2007<\/strong>&nbsp; <em>Artysta w Krainie Czar\u00f3w<\/em>, PNK, Gdynia<br><em>Real Life<\/em>, Wola, Warszawa<br><em>Nie zatrzymuj si\u0119 na czerwonym \u015bwietle&nbsp;<\/em>, Jesionowa Galeria, Gda\u0144sk<br><em>From Poland?<\/em>, Kasia Kay Art Project Gallery, Chicago<br><em>Manipula<\/em>cje. <em>O ekonomiach k\u0142amstwa<\/em>, CSW Zamek Ujazdowski, Warszawa<br><em>My Eyes Keep Me In Trouble<\/em>, Nieuwe Vide, Haarlem<br><em>XVI. Rohkunstbau,&nbsp;Drei Farben \u2013 Weiss<\/em>, Schloss Sacrow, Sacrow-Potsdam<br><strong>2006<\/strong>&nbsp; <em>P<\/em>olskie Malarstwo XXI wieku, Zach\u0119ta Narodowa Galeria Sztuki, Warszawa<br><em>Avant-gardes polonaises, dialogues depuis Malevitch<\/em>, Mus\u00e9e Matisse, Le Cateau&nbsp;Cambresis<br><em>The Title As A Curator\u2019s Art Piece<\/em>, Blow de la Barra, London<br><em>Idealne miasta &#8211; Niewidzialne miasta<\/em>, Zamo\u015b\u0107, Potsdam&nbsp;<br><em>Accrochage<\/em>, de Expeditie, Amsterdam<br>Polska? Czyli gdzie? CSW, Zamek Ujazdowski, Warszawa<br><strong>2005<\/strong>&nbsp; <em>A Guest + A Host = A Ghost<\/em>, Hedge House, Wijlre<br><em>Absolwent<\/em>, Wyspa, Instytut Sztuki, Gda\u0144sk<br><strong>2004<\/strong>&nbsp; <em>Tirol Transfer<\/em>, Austryjackie Forum Kultury, Warszawa<br><em>Re:Lokacja 6 \/ Zmienione Lokacje, Odkryte Pragnienia<\/em>, CSW \u0141aznia, Gda\u0144sk<br><em>Avant-gardes polonaises hier et aujourd\u2019hui<\/em>, Espace de l\u2019Art Concret,&nbsp;Mouans-Sartoux<br><em>Flipside<\/em>, Artists Space, New York<br><strong>2002<\/strong>&nbsp; <em>The Forbidden City<\/em>, Kokerei Hansa, Dortmund<br><strong>2001<\/strong>&nbsp; <em>Hoehere wesen Befahlen: Anders Malen!<\/em>, Smart Project Space, Amsterdam<br><em>In Between \u2013 Art From Poland 1945-2000<\/em>, Chicago Cultural Centre, Chicago<br><em>Programm Giotto<\/em>, Palazzo Spinola, Genova<br><strong>2000<\/strong>&nbsp; <em>Scena 2000<\/em>, CSW Zamek Ujazdowski, Warszawa&nbsp;<br><em>The 11th Vilnius Paintings Triennial&nbsp;<\/em>, CCA Vilnius&nbsp;<br><em>Pomi\u0119dzy estetyk\u0105 a metafizyk\u0105<\/em>, BWA Bielsko-Biala<br><strong>1999<\/strong>&nbsp; <em>What You See Is What You Get<\/em>, Medium Gallery, Bratislava<br><em>Pe\u0142zaj\u0105ca Rewolucja<\/em>, Galeria Foksal, Warszawa<br><strong>1998<\/strong>  <em>W tym szczeg\u00f3lnym momencie<\/em>, CSW Zamek Ujazdowski, Warszawa<br><strong>1990<\/strong><em> Renesans na Wschodzie<\/em>, Arcade Foundation, Carcassonne<br><em>W mi\u0119dzyczasie<\/em>, ESC Toulouse<br><strong>1989<\/strong> <em>Gnosis<\/em>, Wyspa, Gda\u0144sk<br><strong>1988<\/strong> <em>Stan Teraz<\/em>, Wyspa, Gda\u0144sk<br>         <em>Teraz jest Teraz<\/em>, Wyspa Gda\u0144sk<br><strong>1987<\/strong> <em>Moby Dick &#8211; Rze\u017aba 87<\/em>, Wyspa, Gda\u0144sk<br><em>Rze\u017aba-instalacja-obraz<\/em>, Wyspa, Gda\u0144sk<br><em>Baraki<\/em>, Gda\u0144sk<br><br>&nbsp;<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h3 class=\"wp-block-heading\"><\/h3>\n\n\n\n<p class=\"has-medium-font-size\"><strong>Bibliografia<\/strong><\/p>\n\n\n\n<p><strong>ksi\u0105\u017cki i katalogi wystaw <\/strong><\/p>\n\n\n\n<p><em>Jaroslaw Flicinski<\/em><br><em>Casa Cosmos, Homemade Paintings 2010-2015<\/em><br>BWA Tarn\u00f3w, Tarn\u00f3w<br>teksty: Nuno Faria, Jaros\u0142aw Flici\u0144ski, Ewa \u0141\u0105czy\u0144ska-Widz, Eglantina Monteiro, Sylwia Serafinowicz<br>251 str, eng\/pl<\/p>\n\n\n\n<p><em>Jaroslaw Flicinski<\/em><br><em>Estrela Negra-Paredes,pinturas,desenhos e objectos \/<br>Black Star-Walls, Paintings, Drawings and Objects<\/em> <br>Centro International das Artes Jose de Guimaraes, Guimaraes 2014<br>teksty: Nuno Faria, Sebastian Cichocki<br>152 str, pt\/eng<\/p>\n\n\n\n<p><em>Jaros\u0142aw Flici\u0144ski<\/em><br>Galerie Zak-Branicka, Berlin 2008<br>tekst: Monika Branicka<br>12 str, eng<\/p>\n\n\n\n<p><em>Jaros\u0142aw Flici\u0144ski \u2013 Koniec Lata<\/em><br>Le Guern Gallery, Warsaw 2004<br>ed. Bozena Czubak<br>tekst: Mark Gisbourne<br>48 str, eng\/pl<\/p>\n\n\n\n<p><em>Jaros\u0142aw Flici\u0144ski \u2013 Wszystko w porz\u0105dku<\/em><br>Centrum Sztuki Wsp\u00f3\u0142czesnej, Zamek Ujazdowski, Warszawa 2004<br>ed.  Stach Szablowski<br>teksty: Stach Szablowski, Angelika Stepken, Mark Kremer wywiad z JF<br>72 str, eng\/pl<\/p>\n\n\n\n<p><em>Jaros\u0142aw Flici\u0144ski \u2013 Far Away<\/em><br>Badischer Kunstverein, Karlsruhe 2000<br>ed. Angelika Stepken;<br>teksty Mark Kremer, Angelika Stepken, Adam Szymczyk<br>80 str, de\/eng\/pl<\/p>\n\n\n\n<p><em>Jaros\u0142aw Flici\u0144ski \u2013 Skoki do wody 1992-1994<\/em><br>Gda\u0144sk 1995<br>tekst: Jaros\u0142aw Flici\u0144ski<br>12 str, de\/eng\/pl<\/p>\n\n\n\n<p><strong>selected publications and group exhibition catalogues<\/strong><\/p>\n\n\n\n<p><em>Pankiewicz i po\u2026 Uwalnianie Koloru<\/em><br>Muzeum Lubelskie, 2016<br>teksty: Anna Ha\u0142ata, Marcin Lachowski, Dorota Seweryn-Puchalska<br>159 str, pl<\/p>\n\n\n\n<p>Arcydzie\u0142a Malarstwa Polskiego<br>autor: Maria Poprz\u0119cka<br>Wydawnictwo Arkady, 2015<br>308 str pl\/eng<\/p>\n\n\n\n<p><em>Nowe zjawiska w sztuce polskiej po 2000<\/em><br>Centrum Sztuki Wsp\u00f3\u0142czesnej, Zamek Ujazdowski, Warszawa, 2007<br>ed. G. Borkowski, M.Branicka, A.Mazur<br>tekst: Zofia Machnicka<br>405 str, pl<\/p>\n\n\n\n<p><em>Artist In Wonderland<\/em><br>Nadba\u0142tyckie Centrum Kultury, Gdansk 2007<br>ed. Agata Rogos<br>tekst: Aleksandra Boskovic, Olga Kubinska, Jaros\u0142aw Trybus, Agata Rogos<br>255 str, pl\/eng<\/p>\n\n\n\n<p><em>XIV Rohkunstbau, Three Colours \u2013 White<\/em><br>Rohkunstbau Projekte, Berlin, 2007<br>ed. by Arvid Boellert<br>tekst: Mark Gisbourne<br>127 str, de\/eng<\/p>\n\n\n\n<p><em>Avant-gardes polonaises, dialogue historique depuis Malevitch<\/em><br>Musee Matisse, Le Cateau \u2013 Cambresis, <br>published by: Snoeck, Gand 2006<br>tekst: Dominique Szymusiak, Serge Fauchereau, Zofia Machnicka<br>102 str, fr<\/p>\n\n\n\n<p><em>Ideal City \u2013 Invisible Cities<\/em><br>European Art Projects, Berlin 2006<br>ed. by Sabrina van der Ley, Markus Richter<br>318 str, eng\/de<\/p>\n\n\n\n<p><em>W Polsce czyli gdzie ?\/ In Poland, That Is Where ?<\/em><br>CSW Zamek Ujazdowski, Warsaw 2006<br>teksty: Andrzej Turowski, Ewa Mikina, Bozena Czubak<br>180 str, eng\/pol<\/p>\n\n\n\n<p><em>Sztuka w Polsce 1945-2005\/ Art in Poland 1945-2005<\/em><br>autor: Anda Rottenberg,<br>published by: Sentor, Warsaw 2005<br>450 str, pl<\/p>\n\n\n\n<p><em>A Guest + A Host = A Ghost<\/em><br>The Hedge House, Wijlre 2005<br>tekst: Mark Kremer<br>32 str, eng<\/p>\n\n\n\n<p><em>Flipside<\/em><br>CEC ArtsLink, New York 2005<br><br><em>Avant-gardes polonaises hier et aujourd\u2019hui<\/em><br>Espace de l\u2019Art Concret, donation Albers-Honegger, Mouans-Sartoux, 2004<br>tekst: Dominique Boudou, Pawel Sosnowski, Mark Kremer<br><br><em>Re: location 1-7 Shake<\/em><br>Casino Luxembourg \u2013 Forum d\u2019art contemporain, Luxembourg; Centrul International pentru Art\u00e1 Contemporan\u00e1 &amp; Muzeul National de Art\u00e1 Contemporan\u00e1, Bucharest &amp; Fundatia ArtStudio, Cluj; Laznia Bathhouse Centre of Contemporary Art, Gdansk; Gal\u00e9ria J\u00e1na Koniarka, Trnava; Halle f\u00fcr Kunst, L\u00fcneburg; migros museum f\u00fcr gegenwartskunst, Zurich; O. K. Centrum f\u00fcr Gegenwartskunst, Linz; Villa Arson-Centre National d\u2019Art Contemporain, Nice, 2004<br>ed. Adam Budak<\/p>\n\n\n\n<p><em>Re: location 6: Ukryte pragnienia \/ Re(framed)locations, dis(covered)desires<\/em><br>CSW, \u0141aznia, Gdansk 2004;<br>ed. Adam Budak<br>tekst: Adam Budak<\/p>\n\n\n\n<p><em>Die Verbotene Stadt. Objekte. Installationen. Projektionen<\/em><br>Kokerei Hansa, Dortmund 2002;<br>ed. Ingrid Raschke-Stuwe<br>tekst: Claudia Heinrich<\/p>\n\n\n\n<p><em>H\u00f6here Wesen Befahlen: Anders Malen!<\/em><br>Smart Project Space Foundation, Amsterdam 2001;<br>ed. Thomas Peutz and Alice Smits<br>tekst: Mark Kremer<\/p>\n\n\n\n<p><em>Tapybi\u0161ka, 11-oji Vilniaus tapybos trienal\u00e9 Painterly \/<br>The 11th Vilnius Painting Triennial<\/em><br>Contemporary Art Centre of Vilnius, Vilnius 2000;<br>ed. by Anders Kreuger<br>tekst: Anders Kreuger, Erika Grigoravi\u010dien<\/p>\n\n\n\n<p><em>Pomi\u0119dzy estetyk\u0105 a metafizyk\u0105<\/em><br>Galeria Bielska BWA, Bielsko-Biala 2000<br>ed. Bozena Czubak<br>tekst: Bozena Czubak, Adam Szymczyk wywiad z JF<\/p>\n\n\n\n<p><em>What You See Is What You Get. Projected: Poland<\/em><br>Gal\u00e9ria Medium, Vysok\u00e1 \u015akola V\u00fdtvarn\u00fdch Umeni, Bratislava,<br>Slovensko\/ Gallery Medium, Academy of Fine Arts and Design,<br>Bratislava, Slovakia; Soros Center for Contemporary Arts \u2013 Slovakia, 1999;<br>ed. Joanna Mytkowska, Jana Oravcov\u00e1<br>tekst: Joanna Mytkowska<\/p>\n\n\n\n<p><em>Public Relations. Art from Gdansk<\/em><br>CSW \u0141aznia, Gdansk 1999<br>ed.  Aneta Szylak<br>tekst: Aneta Szylak<\/p>\n\n\n\n<p>W tym szczeg\u00f3lnym momencie<br>CSW Zamek Ujazdowski, Warszawa, 1998<br>ed. Nigel Warwick<br>tekst: Nigel Warwick, Angelika Stepken<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Kontakt Jaros\u0142aw Flici\u0144skijaroslaw@flicinski.net _________________________________________________________________________________________ Biografia wybrane wystawy indywidualne: 2024 Rzeczy dziej\u0105 si\u0119 po prostu, Galeria Monopol, Warszawa 2022\u00a0 Nic nie stoi w miejscu, Galeria Monopol, Warszawa2019\u00a0 Czysta przyjemno\u015b\u0107, Galeria Wsch\u00f3d, Warszawa2017\u00a0 P\u00f3\u0142noc nie jest po\u0142udniem, feat. William Fussell, Akademia Sztuk Pi\u0119knych, Gda\u0144sk2016\u00a0 Casa Cosmos, Homemade Paintings, Galeria Bielska BWA, Bielsko-Bia\u0142a2015\u00a0 Casa Cosmos, Homemade Paintings, 2010-2015, [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":35,"comment_status":"closed","ping_status":"open","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-3600","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/flicinski.net\/index.php\/wp-json\/wp\/v2\/pages\/3600","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/flicinski.net\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/flicinski.net\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/flicinski.net\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/flicinski.net\/index.php\/wp-json\/wp\/v2\/comments?post=3600"}],"version-history":[{"count":9,"href":"https:\/\/flicinski.net\/index.php\/wp-json\/wp\/v2\/pages\/3600\/revisions"}],"predecessor-version":[{"id":4103,"href":"https:\/\/flicinski.net\/index.php\/wp-json\/wp\/v2\/pages\/3600\/revisions\/4103"}],"wp:attachment":[{"href":"https:\/\/flicinski.net\/index.php\/wp-json\/wp\/v2\/media?parent=3600"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}